Watch The Errol Flynn Signature Collection, Vol. 1 Movie Online

February 9th, 2010 by annalise5903858
Watch The Errol Flynn Signature Collection, Vol. 1 Movie Online. Watch The Errol Flynn Signature Collection, Vol. 1 Movie Online.

Movie Title: The Errol Flynn Signature Collection, Vol. 1
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The Errol Flynn Signature Collection, Vol. 1 is available for streaming or downloading.

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Errol Flynn was certainly the most colorful star of Hollywood’s “Golden Age”, with a devil-may-care swagger hiding the insecurities of an unhappy childhood, reckless lifestyle, and desperate desire to achieve respect as an actor, and not just a swashbuckler in tights. Flynn could be sweet and courteous, an arrogant bully, a roue and bon vivant, a restless adventurer, a loyal friend, or an unreliable “royal pain”, depending on who you spoke to (and when). His sexual exploits were legendary, as were his capacities for alcohol and drugs (all of which were truly remarkable, considering the poor health he endured throughout his life, despite his robust on-screen appearance). Ultimately, whether you loved or hated his lifestyle, his film work, during nearly eighteen years under contract to Warner Brothers, includes some of the most extraordinary, entertaining classics ever made, and his charisma continues to enchant audiences!

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Sadly, few of Flynn’s films have appeared, thus far, on DVD (the best being a superb “Adventures of Robin Hood” DVD, released last year). This new collection, while a mixed bag, does finally give DVD audiences a chance to savor two signature Flynn performances, in “Captain Blood” (his breakthrough starring role) and “The Sea Hawk” (one of the greatest swashbucklers ever made). The rest of the collection lacks the luster of these films, but are certainly worthwhile; “The Private Lives of Elizabeth and Essex” teams Flynn with Bette Davis (who despised him, and fought to get Laurence Olivier for Essex), and, with “The Sea Hawk”, shows Flynn playing opposite two very different interpretations of Queen Elizabeth; “They Died with Their Boots On”, Raoul Walsh’s fanciful biopic of George Armstrong Custer, offers a slam-bang, if inaccurate, version of the Little Big Horn, and the last teaming of Flynn and his favorite leading lady, Olivia de Havilland (”Captain Blood” was their first of eight films together); “Dodge City” represented a major gamble, as Warners had no idea if audiences would accept Tasmanian Flynn as a cowboy in the Old West (they did, and Flynn would make seven more westerns, over the next ten years…actually making more westerns than swashbucklers or war movies!). While I’d have preferred seeing “The Dawn Patrol”, “The Adventures of Don Juan”, and “The Charge of the Light Brigade”, in this collection, the choice of films does show Flynn at his most gloriously handsome!

Best of all, TCM has produced “The Adventures of Errol Flynn”, a long-overdue biography, which is included in the package. Along with interviews with his family and friends, including extensive interviews with de Havilland, wives Patrice Wymore and Nora Eddington (in archival footage), and daughter Deirdre, it offers ‘behind-the-scenes’ footage, private home movies, and material never before seen by the public (including footage from the never-completed “William Tell”), which makes this a ‘must’ for Flynn fans.

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While it will probably be years before all of Errol Flynn’s films reach DVD, this collection offers an excellent introduction to a true Hollywood “Original”, and is well worth owning!

Okay, here it is. Strait up. I adore Errol Flynn. Always have, always will. Can’t remember which of his films I saw first on television years ago (though my little grey brain cells keep whispering “They Died With Their Boots On”), but whatever it was, it made me instantly a Flynn junkie and I have remained so ever since. It is hard to say which of the “Tasmanian Devil’s” movies I like the best, though I’m inclined to believe it is a toss-up between “The Adventures of Robin Hood” and “The Charge of the Light Brigade” (this awesome film amazingly MISSING from this “signature” collection…and it’s unfathomable absence the priciple reason I have rated this collection as only 4 stars instead of 5). How does one have an Errol Flynn “signature” collection with “Charge of the Light Brigade” so glaringly unincluded? Boggles the mind. One would hope Turner Classics would produce a “Volume II” to this, a follow-up that would feature “Light Brigade”, “The Dawn Patrol”, “Gentleman Jim”,”Adventures of Don Juan”, and one of Joanne Woodward’s favorites, “That Forsyte Woman” from MGM (or else “Uncertain Glory” or “Edge of Darkness”).

It is good to see Flynn coming back “In” again (to play on the old “In like…” expression). He took a major hit some two decades ago with a most worthless book that became a bestseller (”The Secret Life of Errol Flynn” by Charles Higham )and smeared his name and reputation mean-spiritedly. This author, Higham, termed Flynn a traitor and Nazi spy and pedophile homosexual, supposedly using “credible” witness tesitimony and “classified documentation” to bolster his outrageous claims. He had Flynn doing all sorts of things to further the cause of the Reich and hooked him up with secret meetings all across Europe and in the Caribbean with his “Nazi intelligence controllers”. Among his claims were that Errol used his influence to have secret aerial shots of Pearl Harbor filmed during the production of “Dive Bomber”, which he funnelled to German Intelligence (”Abwehr”), and thence to the Japanese to help plan their attack.

He also had Flynn at a secret nazi confab in the Bahamas with the Duke and Duchess of Windsor and other British traitors. These were only two “for instances” of this kind of thing. Then he had Flynn “spy controlled” by Dr. Julius Erben, a low-level Abwehr agent….with documents (supposedly) to “prove” it.

In short order, all Higham’s claims came crashing down in the face of REAL research by REAL researchers digging up REAL facts.

All the times Higham had Flynn meeting with “Nazis” in Europe, he could not have done so, as all the Warner Brothers’ shooting logs still exist and Flynn’s whereabouts can be tracked meticulously. Higham hadn’t counted on that when he began his smear campaign. In fact, on the very day when Highman had Errol “conspiring” in the Bahamas with the Windsors, the actor was, in fact, standing on a log across a stream in Chico. California, facing Alan Hale with a quarterstaff while William Keighly directed the meeting of Robin Hood and Little John for “The Adventures of…”. And, as for “Dive Bomber”, the Japanese ALREADY HAD their Pearl Harbor mockups built (courtesy of Honolulu spies)and were preparing for the raid WHILE “DIVE BOMBER” WAS IN PRODUCTION….AT SAN DIEGO…NOT PEARL HARBOR!!!!

Situations like this…CONNIVANCES….turned up everywhere in the Higham book. And the “documentation” he offered turned out to be edited out of context, and, in some cases, the blacked out names didn’t relate to Flynn at all…Higham just CLAIMED they did. But originals obtained under the Freedom of Information Act proved the distortions here as well. And Dr. Erben? Well he WAS a German agent, but he only knew Flynn briefly, and ,interviewed before his death, he affirmed that Errol had NEVER been a German agent, that he…Erben…had used Flynn’s celebrity to gain him access to people, but that Flynn himself never realized he was being used in this manner. It should also be noted that the Abwehr, under Adm. Wilhelm Canaris, worked secretly more AGAINST Hitler’s Nazis than FOR them. aided in the assassination plots AGAINST Hitler, and, by war’s end, had been disbanded and taken over by the SS and its leaders executed. In fact there is strong reason to believe Abwehr may have been half-connected to the British Secret Intelligence Service, MI6. So even if Flynn might have UNKNOWINGLY been “associated” with this ANTI-Nazi German intelligence organization, that might not have been such a bad thing after all!

As to the homosexual pedophile stuff, none other than Flynn’s old arch-enemy BETTE DAVIS stepped forward to declare that a “crock”. Said that sounded like Orry-Kelly malarkey, Orry-Kelly being a Warner’s costumer in “the day”. According to Davis, Kelly delighted in spreading nasty, vicious, hurtful rumors about people who “crossed him”…and Errol did that from time to time.

To have “Queen Bette” the Flynn-hater come to his defense was astounding enough, but then the OTHER shoe dropped. JOAN CRAWFORD, Bette Davis’ OWN arch enemy, came out BACKING BETTE!!! Crawford, who’d once called Flynn “The most beautiful man who ever lived”, said the gay stories sounded EXACTLY like something that would come out of Orry-Kelly; that if you’d ever worked at Warners you’d have picked up on it immediately.

An amazing happening. Bette Davis defending Errol Flynn and Joan Crawford backing her up. Shades of the Apocalypse.

Though now totally discredited among those who KNOW, many uninformed people still are under the impression this hog swill was true.It all needs to be set right. The DVD “Adventures of Errol Flynn” in this collection attacks the old tale, Tony Thomas in “Errol Flynn, The Spy Who Never Was”, demolishes it handily, as does Flynn’s stunt double Buster Wiles in “Errol & Me”. The Walt Disney movie “The Rocketeer” unhappily plays with the smear job, featuring Timothy Dalton made up as Flynn (though called “Neville Sinclair”) and casts him as the dastardly villain Charles Higham worked so to make him appear(and the “why” of it has never been learned). I am a fan of the “Rocketeer” movie but this aspect of it has always distressed me.

But it looks like Errol’s turn is coming around again. This “Signature Collection” puts him center stage again and he deserves the limelight. “Elizabeth & Essex” lets him act, and “The Adventures of…” outlines his life. But “Captain Blood”, “The Sea Hawk”, “They Died With Their Boots On” and “Dodge City” show perfectly what it was he did…and how he did it…that let him charm America and the world.
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Broken Arrow Streaming

February 8th, 2010 by annalise5903858
Broken Arrow Streaming. Broken Arrow Streaming.

Movie Title: Broken Arrow
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Broken Arrow, in 1996 it electified the big screen as John Travolta and Christian Slater Duke it out in an orgy of explosions and action…now its out on dvd. Well, ok, that is a very good thing, but let me tell you about it really. It is a very good movie, with some excellent directing by John Woo, not to mention good acting by Travolta and Slater. Also, there are some great one-liners, also the story is not lack-luster, and is in fact anything but, it is well thought out and surpasses by a longshot those other action gore-fests that are just that, gory action — no brains. Over all this movie is very well done. I give it five stars.

Catching a line from this movie the suspense in this movie is “cool”. John Travolta and Christian Slater are at odds in this 1996 movie on the theft of two nuclear warheads in rugged terrain of Utah. At times it has you on the edge of your seat. It certainly is a far cry from Travolta’s roles in Grease and Saturday Night Fever but one of his best!!
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Stream Is Anybody There? Movie Online

February 8th, 2010 by annalise5903858
Stream Is Anybody There? Movie Online. Stream Is Anybody There? Movie Online.

Movie Title: Is Anybody There?
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Is Anybody There? is available for streaming or downloading.

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“Is Anybody There” is a 2008 production of British Broadcasting Corporation Films that has achieved a theatrical, art house release in the United States. It runs 95 minutes, was written by Peter Harness, directed by John Crowley, and stars that wonderful actor Michael Caine.

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It is set in 1980’s seaside England: it looks/sounds like the North of England to me, and concerns the interactions of Caine, playing the Amazing Clarence (Parkinson), retired magician, unwillingly taking up residence in an old people’s home; and Edward (Bill Milner), an unusual ten year old boy who’s fascinated by death, and well-placed to investigate that fascination, as he’s growing up in the old people’s home that’s run by his parents.

Anne-Marie Duff plays Edward’s Mum; David Morrissy, his Dad. The home is populated by a veritable stock company of well-known older English actors: considering the prevalence of plastic surgery, they might well have been made-up to look older, as Caine might have been. (The man seems to have no personal vanity.) They include Rosemary Harris as Elsie, Leslie Phillips as Reg, Elizabeth Spriggs as Prudence (it was her last picture); Sylvia Syms as Lilian, and that North of England stalwart, Peter Vaughan, as Bob. Speaking of which, you can cut the North of England accents in this picture with a knife: subtitles would sure have been helpful. Despite which, the acting is uniformly very good.

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Conservative Margaret Thatcher was Prime Minister in the 1980’s, and this film is apparently set on her watch; it might have had some political thoughts. Thatcher’s governance was noted for great, although costly in human terms, improvements in the British economy, and I’m a little surprised to see this setting of the family-run nursing home at that time. At one time, these live-in family nursing homes were not uncommon: a family just had to get a big old house — they were not too popular, then — and some old people to fill the rooms, and they had a living. During the time of my English exile, I actually knew such a family: they had to look after 24 little old ladies. It was always 24 breakfasts, 24 dinners, 24 teas. I wouldn’t have thought this business model had lingered into the 1980’s; but times have always been harder in the North of the country than the South, and perhaps it did linger in the North.

Let’s face it; the subject matter makes this movie a downer. The thing about getting old is, you generally get sick, physically and/or mentally; you lose your looks, your job, your loved ones, and your friends; you get lonely, and then you die. There is some cheerfulness and hope in Caine’s relationship with the boy; but this movie is certainly not going to be everybody’s cuppa. The best reason to see it is, of course, Caine, a marvelous actor and a thrifty one, who can do a lot with a little. And he did give a bit of a nod to his loyal, longtime fans: at one point he’s explaining to the boy why his marriage broke up, and he says,” I couldn’t settle down. I was very good-looking then, and I couldn’t keep it in my pants.” Well, hello, Alfie: some of us remember just how he looked then. For us, I give the movie an extra star.

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Ragtime Streaming

February 7th, 2010 by annalise5903858
Ragtime Streaming. Ragtime Streaming.

Movie Title: Ragtime
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Ragtime is available for streaming or downloading.

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No question that Ragtime is a good movie, but there’s also no question that for a significant number of people, Elizabeth McGovern is a major reason for buying this DVD. If so, and if the visual appeal is an essential part of that, then you should know that what is on this DVD is not what was in the theatrical release. I haveven’t seen the VHS version, so I don’t know if it was similarly butchered, but I really don’t understand the point of this sort of stuff, and I find it irritating. I can understand adding scenes to a “director’s cut” in a non-theatrical release, but under no circumstances does it make sense to me that scenes that were present in the theatrical release should be deleted in the non-theatrical releases. To make matters worse, the back of the box says “deleted scenes”. There is a deleted scene that was not in the theatrical release, but it isn’t worth watching, and it certainly doesn’t make up the scenes that were present in the theatrical release and that have been cut out of this DVD. In this case, “deleted scenes” should be taken to mean, “scenes that you probably remember from the theatrical release have been cut from this version.”

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Anyone who objects to this sort of foolishness in principal should boycott this DVD. This isn’t the first time that I have encountered this. It seems to me that the studios should feel some sort of sense of obligation to not do this, whether artistic or ethical.

I can’t overemphasize the level of disappointment I have at the hack censorship Paramount management has engaged in with the DVD release of Ragtime. How they got Milos Forman to participate in adding commentary to that blatant smear of his efforts is is beyond me.

Does the studio actually think that diluting the film to “reposition” it (ergo, move it from an R to a PG rating) is going to dramatically grow its appeal? The core market for this DVD is the universe of film fans old enough to fondly remember seeing the original theatrical release in the early 1980s — but what the studio is offering them (as many reviews here clearly state) is unacceptable.

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I want to see Elizabeth McGovern’s entire performance, Paramount – so I went to the secondary wholesale market and purchased a new old stock VHS copy, which contains the FULL original release.

Or put another way, one less DVD sale for you.

Because yes, while it’s your right as the copyright holder, I won’t purchase censored goods.
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Streaming Baraka Online

February 7th, 2010 by annalise5903858
Streaming Baraka Online. Streaming Baraka Online.

Movie Title: Baraka
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Baraka is available for streaming or downloading.

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I will not attempt to extol the virtues film itself (what more can I say than has already been said?), but of the new collector’s edition: I too have the original DVD release, and the VHS release. This new transfer is AMAZING, and is exactly what the first DVD release should have been… PRISTINE video (very few artifacts, little or no pixelation), and IMMACULATE audio (crisp, clean, and great presence without sounding “over-processed”). If you have both versions and can’t tell the difference, then it’s time to watch it on a large screen TV, and clean yer ears out! The improvements are painfully obvious. This is a truly incredible film, and finally justice has been done with the fantastic quality of the consumer version. Like someone else said, give your old copy away, and BUY THIS VERSION now! I’m glad I picked it up, and you will be too.

The words mesmerizing, beautiful and astounding cannot begin to describe this wonderful DVD. Ron Fricke is to be commended highly for this moving work of art. I have a wide-screen HDTV and found the DVD to be much more moving than the VHS version I had seen on old TV in the past. If you have a choice–definitely go to the widescreen DVD version. The Dolby sound also was much enhanced over the previous version.

I firmly believe ALL PEOPLE should view this film at least once in their lifetime–free from all external encumbrances–this film requires your undivided attention.

All of a sudden, the world becomes a much smaller planet–one in which we all live in our own way and one in which every living being is important.

If you are prone to cry at beauty–have a box of tissues handy. If you are not prone to cry at films, have a box of tissues handy anyway. You will probably need them. This is a very moving film.

I was particularly impressed with the burning oil field scene because of the intense feeling the film created.

Viewing this film should be a requirement for living on the planet.
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Watch No Way Out Movie Online

February 6th, 2010 by annalise5903858
Watch No Way Out Movie Online. Watch No Way Out Movie Online.

Movie Title: No Way Out
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No Way Out is available for streaming or downloading.

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Often, a film is compared to “No Way Out”–it’s a gold standard of political thrillers. Made in the 80’s, it holds up well in its genre. Now it’s on DVD (without many “extras”–just the release trailers) and that’s worthwhile if you are a political thriller fan.

Gene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary’s machinations. Sean Young plays a nervy, Washington bimbo. She’s annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80’s overly-ornate costuming and gaudy makeup are the only hint of the age of this film.

The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn’t. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff.

Having lived around the outskirts of Washington, D.C. myself, it’s always a nice treat to watch a film that literally takes place right where I have stood, at one time or another. It’s just very fun to know that a famous movie was shot where you once walked. (Although I now regret visiting the set of “101 Dalmations” in London–that’s one story I don’t often tell people with a smile on my face.)

At the beginning of “No Way Out,” we get to see Washington from above as the camera glides through the air, swerving and going around in circles, until we land inside a small interrogation room housing a convicted murderer (Kevin Costner), who is in fact innocent and has been framed. “When’s he coming out?” he asks as he walks over to a one-way mirror and looks through the glass. Right as we start to think, “Whom is he talking to?” (Or “Does he mean Hackman?” if you’ve read anything about the film), we fall backwards in time and land in the same place some number of months earlier.

“No Way Out” is a government thriller about an officer wrongly accused of murder–when the Secretary of State himself is the culprit trying to avoid a scandal by launching a top-secret cover-up. Costner is the officer, and Gene Hackman is the Secretary of State. After meeting a beautiful young woman (Sean Young) at a party, Costner takes her into a limo and they have a quickie–before they even know each other’s names.

What’s this got to do with anything? Why is my review so choppy and linear-challenged? We’ll get there.

The relationship between the two turns into a big romance until Costner is sent out to sea, where he saves a sailor from falling overboard and is praised in all the papers–where his girlfriend back home sees his face and is reminded of him. (Now she’s the mistress of Hackman, by the way–that complicates matters quite a bit.)

When he arrives back home, they go on a romantic getaway–but Hackman finds out and accidentally murders the girl while trying to get her to tell him the name of her lover. Ready to turn himself in, Hackman is persuaded by his gay friend to cover everything up and blame someone else. The gay man even goes and gets rid of the evidence himself–with pride, I might add. (It’s like Mr. Burns and Smithers from “The Simpsons”–the latter loves the former, but the former is too powerful and naive to ever notice.)

The clever twist in “No Way Out” is that Costner knows Hackman killed Young, but Hackman doesn’t know that he knows that. (Get it?) As he runs around the Pentagon and other government establishments, the evidence starts to pile up against him–the negative off the back of a Polaroid camera, a few eyewitnesses who claim they saw a man outside Young’s apartment the night of her murder, etc.

The great thing about “No Way Out,” and another factor that separates it from the rest of its kind, is something that’s hard to explain to someone who hasn’t seen the film. Essentially, no one knows who killed the girl–and Costner isn’t placed under arrest straight away because no one has uncovered any evidence pointing towards him. As the negative off the back of the Polaroid is scanned through a computer and painstakingly altered to reveal the man’s face on the photo, Costner runs around trying to eliminate evidence before anyone finds out. The photo will eventually reveal his own face, yes, but he has a number of hours until then to find the true evidence that convicts Hackman.

This is a smart thriller with a few pleasant twists, particularly the very end. It’s not a great movie by any means, but it’s well-acted and solidly directed by Roger Donaldson, who also made last year’s “The Recruit” with Al Pacino and Colin Farrell. The guy obviously likes government thrillers. This one is a lot more plausible than “The Recruit,” too.
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Stream .hack//Roots, Vol. 2 Online

February 6th, 2010 by annalise5903858
Stream .hack//Roots, Vol. 2 Online. Stream .hack//Roots, Vol. 2 Online.

Movie Title: .hack//Roots, Vol. 2
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.hack//Roots, Vol. 2 is available for streaming or downloading.

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First, I’ll admit, .hack//SIGN is getting some of the best limited edition treatment I’ve ever seen. This box and its load of extras is sure to be highly coveted by anime fans and DVD collectors. In particular, I think the soundtrack is a great extra, as .hack has excellent music.

I MIGHT have enjoyed this story but…

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The plot moves so slowly that I fell asleep for 20 minutes during the middle episode of this DVD and when I woke up my daughter told me that nothing of importance had happened yet.

There is a lot of staring into space, silent brooding, meaningful grunting and heroic posing.

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** Edit ** Later DVDs in this series pick up the pace. The slowness in in this volume (2) only.

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Stream Performance Online

February 6th, 2010 by annalise5903858
Stream Performance Online. Stream Performance Online.

Movie Title: Performance
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Performance is available for streaming or downloading.

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Every time I hear Quentin Tarrantino claim to have invented non-linear story-telling, I want to scream. Nicolas Roeg (who photographed and co-directed) went on to make many, many non-linear films, starting with this one in 1969, as did many other directors from the 70’s up to now (Steven Soderbergh, Terrence Mallick, to name just two), so please, Quentin, shut up. “Performance” was perhaps the most influential film in my own development as a director; film is a sculptural medium, and never illustrated more so than in this brilliant piece film which moves through time and space so gracefully, or jarringly, as required, while exploring identity, performance (of all sorts), spirituality, freedom from the prevailing standards of society–I could go on for pages, but will spare you. It can be found on video tape, mostly in “used” bins, and as it was shot in regular 35mm, you don’t miss much of the frame, as it’s close to your TV’s format anyway.

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Shot mostly hand-held, with Roeg using dissolves, double-exposures, color alteration, freeze-frames, and other Optical Printing techniques, as well as stunning sound design, the mind is assaulted by an abundance of images that you just have to sit back and absorb and allow them to tie themselves together later, when you have time to think about it. In order to tie characters and relationships together, one will start a sentence while another, in an entirely different place and situation, will finish it. This is used to both connective and ironic effect. “Performance” also contains the first “Rock Video” and a Rap Song (in 1969) by a group of drumming poets. The music, by a young Jack Nietshze and his wife, Buffy Sainte-Marie, features Ry Cooder, the extraordinary vocals of Merry Clayton and her choir, and is both a driving force in the film and an eerie reflection of the psychological situations we’re in. And that’s really true: that we’re in. You get as close to being in this film as any you’re likely to see. It’s more experienced than viewed.

Donald Cammel was fascinated by Borges, a philosopher popular in the 60’s, was a friend of Jagger’s and Marriane Faithful’s, as well as Anita Pallenberg, who plays Jagger’s lover in the film, but who was in real life, Keith Richard’s partner. In turn, the aristocratic James Fox was fascinated by the Bohemian wildness of Mick and Marianne, and in a stroke of genius, Cammel switched their real-life situations, making Jagger the artist-in-exile aristocrat, and Fox the on-the-lam gangster. Drugs really were used, the sex was real; in actual life relationships were smashed, with Fox taking a 10-year hiatus from film, life, and pretty much everything in order to explore his blown mind. This film, brilliant and important in film history, raises the perennial question all artists face: which is more important, real lives, or art? I found it interesting that the dissimilar-in every-other-way recent film, “Girl with Pearl Earring” actually brings up the same issue, though more subtly and only within the context of the film itself.

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The plot is almost beside the point as “Performance” is about so many, many things having nothing to do with “plot”, but quickly, it’s structured in two halves. Chas (James Fox), a soldier for a small organized crime group in London, has been attacked and taken his revenge on his attacker. Now he needs to run, as all turn on him, so he hides on the Left bank of the river, using the name “Johnny,” in Notting Hill (looking nothing like the recent film of its name), in the home of a reclusive ex-Pop star, Turner (Jagger) and his German lover, Pherber (Anita Pallenberg) and a French waif, Lucy (Michelle Breton in her only screen role). In the second “half,” the externally frenetic pace of the first part is replaced by the externally peaceful but internally chaotic challenging of all of Chas’ perceptions through hallucinagetics, mind-games–the intentional dismantling of Chas’ personality so that Turner can get the stimulation he needs in order to end his creatively “stuck” situation. The process was so thorough that poor James was unable to function for a decade. It was through this role, though, that Mick Jagger, a very banal, middle-class sort of guy (who never did drugs on any serious level) emerged with a persona to go on through his career with. (Check out Marrianne Faithful’s memoirs for more…) The film forces its characters, and if we want it to, us, to ask, “Who am I?” on a level that most never even approach. How much of “me” is performance, and how much my true self? And, “Can I really merge my identity completely with another’s?” The “who am I, truly?” is the exploration of the film, and the exploration that those of us who stand by its “unusual” structure and sensory over-load, are generally involved in. It is intense, but if you want it to affect you, just let it, and think more and more deeply as you watch it again and again. Personally, I don’t know anyone who has seen it less than a dozen times.

Cammel didn’t work much after this, as Roeg did. He (Roeg) went on to make some of the most important films of our time: “Walkabout,” “Bad Timing: A Sensual Obsession,” “Insignificance,” “The Man who Fell to Earth,” “Castaway” (not “THE Castaway” with Tom Hanks, but “Castaway,” based on Lucy Irvine’s book about her glorious but nearly fatal year on a desert island with a man who’d advertised for a companion in the experiment). Nicolas also proved that one can “fail” (”Eureka,” “Track 29″) without being less than brilliant at the same time. His “failures” are more interesting than most directors’ “successes,” and new filmmakers can learn more from them than from a thousand Speilbergs.

I do wish they’d release this film on DVD, as my tape is so worn from years of re-viewing and showing everyone. It sometimes shows up at Rep Houses, should you be fortunate enough to have one in your city (ours is gone), where you can see it on the big screen, as intended.

And a final note: the last shot is NOT your imagination, and it sums up the entire film. Don’t over-think it, just accept it, and enjoy one of the greatest cinematic rides of all time.

Donald Cammell

“If Performance does not upset audiences,” he explained, “then it is nothing.”

My friend Neil and I have been waiting for some time to see this film at the cinema. It hasn’t been widely available on video for some time and has not yet been released on DVD.
So we were overjoyed to see it was being shown at the Electric Cinema a wonderful recently revamped cinema in Notting Hill Gate, not a hundred yards from Powis Square, one of the main locations in the film.

Performance was financed by Warner Brothers in the late 60’s, though it was not released for two years after its completion due to WB demanding recuts and probably hoping the whole sordid little film would be forgotten about.
Thankfully it wasn’t, and has over the years become something important and special to many people.
Performance starts as a seemingly straightforward East end gangster film, typical of the period. However when Chas, played to perfection by James Fox, takes refuge in the bohemian lair that is Turners (Jagger) Powis Square townhouse, the pace and the feel of the film change dramatically.
Turner is a retired rock icon who is wallowing in in a filthy corner of his psyche while he decides whether to try and recapture his mojo or continue his hermit like existence. However the hermit tag only applies to Turners lack of contact with fresh air, not many hermits have two pretty free spirits in the form of Pherber (Anita Pallenberg ) and Lucy (Michele Breton) roaming naked around their self imposed prisons.
Pallenberg is the wild blonde who was probably didn’t find it too hard to get into character, at the time of filming she was actually Keith Richards’s girlfriend, and tales of a jealous Richards watching over the set are abound.
For me the most interesting character and also seemingly someone who probably wasn’t acting is Breton. A very pretty boyish French Girl who was said to be a runaway. I have read that she died shortly after the film which seems like a sad but not surprising end for such a free spirited child of the sixties. I would love to have been able to tell you more about Breton, but a search on the internet will turn up very little. She would seem to me like a leaf that breezed into swinging London and was swept away like so many others.
Jagger is convincing as Turner and this is undoubtedly his best, if not his only good, film.
As Turner takes over control of the film from Chas we are treated to a feast of decadence and weirdness that never strays too far from reality for its own good. The film is tied down to a solid base by the continuing gangster film thread humming silently in the background.
Since 1970 many an apocryphal tale has surfaced surrounding the making of Performance, ranging from nervous breakdowns to suicide and drug overdoses. I am always skeptical about such tales, but, unfortunately most of these tales would actually seem to be true. Certainly writer and co director Donald Cammel shot himself and James Fox was disturbed enough not to make another film for many years afterwards.

As I waited for my friends to come out of the Electric Cinema, I overheard many a reaction to the film from other patrons. On the whole it would seem that people seemed disappointed or confused or even annoyed. Thanks god for that. Thank god it has not been tamed by age and become a safe little piece of 60’s nostalgia.
Performance does upset audiences. It IS something.
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Watch Yu-Gi-Oh, Vol. 1 – The Heart of the Cards Movie Online

February 6th, 2010 by annalise5903858
Watch Yu-Gi-Oh, Vol. 1 - The Heart of the Cards Movie Online. Watch Yu-Gi-Oh, Vol. 1 – The Heart of the Cards Movie Online.

Movie Title: Yu-Gi-Oh, Vol. 1 – The Heart of the Cards
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Yu-Gi-Oh, Vol. 1 – The Heart of the Cards is available for streaming or downloading.

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Yugioh is a perfect example of how americanizing and censoring can truly screw up as series. They show is abound with needless edits, baaad dialog, and much, much more.

First, theres the voice acting. Yugi is supposed to sound like a timd, kind little kid. In the dub, he sounds like some stuck up 14 yr old loser. Dark yugi(yami yugi)’s voice sounds sooo deep and stupid, its hard to describe. Jonouchi (joey) now sounds like a dumb new yorker kid, which,belive me, does not fit his charectar. Seto kaiba sounds ok when he’s acting tough and all, but as the other reviewer said, his attempts at being emotional sound way to fake. And the annoying voice acting goes perfect with the baad voice acting. Yami yugi ends up saying horrible lines like “OH NOOO! A TRAAAP CARD?”, or “HEART OF THE CARDS!”.
And joey’s dailog is patethitic. He says stuff like “GO drumsticks”, and “MY DWAGON!” (sounds exacly as its spelled).

Then, theres the edits, and to tell you the truth, the 100 word limit wont allow me to even describe HALF of the edits (and there are 500 so far OMG). First, to kiddyize the whole thing, they replaced anyone dying with being sent to “the shadow relm” or some other coverup. For example:When dark ryo bakura is confronted with gaurds (which i will get to later lol), he uses a card (morphing jar) to, not kill them like in the real version, but “send them to the shadow relm”. Oh yeah, and kabia’s parents didnt “die”, they “disappeared”…lol
And, for some reason beyond me, they paint out any form of guns. In the jap version, bandit keith threatens peaguses with a hangun.in the kids wb version, the gun is painted out so now he POINTS at him. Oooh.. scary. Another time, some idiot gaurds “pointed” at kaiba and told him to come see peaguses. And there is som much more they edited out. Editing ALL occult refrences, changing stragetys in duels, and paint over and changing the monsters/cards THEMSELVES! And did i mention that they cut out the ENTIRE first season (the “manga” version), and added new, HORRID music?

i tell ya folks, this is just pathetic. Dont wast your money on this so called “Yu-Gi-Oh!”…

I was a little skeptical at first about the whole Yugioh idea. After sitting down and watching an episode on the KidsWB I found myself tuning in everyday for the next episode. Soon I was out buying the cards and even the old PS game. I’m a little older than the average Yugioh fan (probably) and I’m impressed. The only bad thing about this DVD that I noticed was the length. The [online store] site says its 90 minutes when in fact its only 60 minutes. That would be my only bad thing to report, and it isn’t even a major issue. I highly recommend the Yugioh videos to everyone
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Night of the Comet Movie Streaming

February 6th, 2010 by annalise5903858
Night of the Comet Movie Streaming. Night of the Comet Movie Streaming.

Movie Title: Night of the Comet
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Night of the Comet is available for streaming or downloading.

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This would have to be one of my alltime favourite movies and has deservedly become a Cult SciFi Classic over the years. It concerns the passing of a comet over the Los Angeles area turning most of it’s residents into red dust. The absolutely beautiful Catherine Mary Stewart plays Regina , one of the survivors . Together with her sister they try to adjust to this lonely new world. This movie has zombies, mad scientists and teenagers who still want to go out and have a good time. I would ask Catherine to marry me but alas she is already wed.This movie is a gem!!!

I’m in complete agreement with most of the other reviewers. Please release this movie soooooooonnnnn on DVD! I have fond memories of this movie, and the soundtrack,”which I don’t think was ever released”. Hey maybe that can be an extra bonus, releasing the soundtrack with the DVD as well! To all fans awaiting this movies’ release on DVD, I’m right there with you. Let’s keep our fingers crossed for this one!

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M. Eucalyptus B.
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