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Seems like people either adore or despise this particular entry into the Hammer Dracula line of films. I, myself, enjoyed it very powerful, and would recommend it to anyone involved in the vampire genre.
Dracula Has Risen from the Grave (1969) has Christopher Lee reprising his role as the ultimate blood-sucking creature of the night, which is kind of uncommon as in the last film, Dracula, Prince of Darkness (1966), he was destroyed…or so we plan. The film takes status a year after the last film, as Monsignor Ernest Muller (Rupert Davies) visits the dinky village reach Dracula’s no empty castle to gawk how things are getting along. Well, things aren’t getting along too well as the Monsignor finds the church empty and in a rather abominable plot of housekeeping. Finding the priest at the local bar, he learns that the villagers hold that while Dracula may be tiring,, his castle projects an aura of tainted, casting a malignant shadow of infamous on the town. The Monsignor decides the only course of action is to slump up to the castle, say a prayer of exorcism, and set a fairly sizable contemptible at the doorway, expelling the curse forever. Taking the priest with him, the two inaugurate a long and arduous hotfoot up the mountain, but, as they come the castle, the priest balks from apprehension, and the Monsignor continues on alone. He reaches the castle, says the prayer, and places the depraved (the result of both actions cause a rather freakish lighting storm…obliging thing he rid himself of that enormous, metal irascible) . Meanwhile, the priest, who remained tedious, starts freaking out, and begins to stumble down the mountain, trips, cracks his head initiate, and lands on and cracks a pool of ice, one which contains the body of Dracula, and begins to bleed onto the ice, to which the blood revives the murky, yet frozen, one. Upon waking, Dracula takes the weak-willed priest into his service, and returns to his castle only to acquire his entry rotten by the unpleasant affixed to the doors. This angers him, as his house has been defiled, and being a creature of horrible, seeks revenge on whoever did this. Top-notch thing he’s got the priest to maintain him in on the details…
The Monsignor leaves the village to return to his home, which he shares with his sister and her daughter, Maria (Veronica Carlson), soon followed by Dracula and his recent cramped buddy. We also bag to meet Maria’s boyfriend, Paul (Barry Andrews), who works in a local bakery/bar/hotel (fascinating combination, to be certain), but is only doing so until he can complete his education, and recede on to bigger and better things. Anyhow, Dracula moves into the sub-basement (the sewers) below the bakery/bar/hotel, setting up his coffin and such, and begins with his plans to accurate vengeance on the Monsignor and his house. He learns of the Monsignor’s niece, and sees a perfect opportunity to carry out his goal…does he valid his revenge? Can anyone cessation this monster once and for all?
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Directed by Freddie Francis, who won academy awards for cinematography for his work on Sons and Lovers (1960) and Glory (1989), Dracula Has Risen from the Grave is certainly stylish, oozing with atmosphere and providing a beneficial deal of suspense. Christopher Lee provides an righteous performance, despite his overall lack of dialogue. The settings are very good for this kind of film, enhancing the performances, and certainly add to the overall presence of oppressive imperfect throughout. Not really embraced by the critics when it first came out, with claims that the gore was a bit distinguished, now it seems rather understated to the 21st century viewer. The film does move slowly, but the pacing seems methodical, all building up to the thrilling climax.
Warner Brothers provides a crisp, super looking wide mask print here, but very petite along the lines of special features, including only a theatrical trailer for the film. I am appreciative that this film finally made it to DVD, as Warner Brothers, in general, is shapely stingy about releasing their catalog of films to this format, and even stingier when it comes to enhancing their releases with special features, falling relieve mainly on recycling ones released for the laserdisc format. If you are gripping in seeing the other films in this series, recognize for Dracula, Prince of Darkness (1966), Taste the Blood of Dracula (1969), Scars of Dracula (1970), Dracula AD 1972 (1972), and The Satanic Rites of Dracula (1973) .
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“Dracula Has Risen from the Grave” opens to the sounds of James Bernard’s evocative, ominous main musical theme. Directed by Freddie Francis, the film stars terror icon Christopher Lee in one of his many portrayals of cinema’s most distinguished vampire. This version features a lean, effective screenplay by John Elder.
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The film opens in a shrimp, pre-industrial village that had previously been skittish by Dracula, who is presumed to have been destroyed. As the title of the film indicates, however, Dracula soon rises from his grave to originate a original campaign of bloodsucking villainy. His foes in this film are a Catholic monsignor and the boyfriend of the monsignor’s pretty niece.
Bernard’s solid catch is complemented by superior art direction. Francis makes effective spend of forest and rooftop settings as Dracula pursues his ends. Lee gets solid serve from the rest of the cast. Barry Andrews makes a particularly engrossing young hero as Paul, the boyfriend of the monsignor’s niece. I also was impressed by Barbara Ewing’s performance as Paul’s sexy co-worker.
There is a pronounced sexual feel to vampirism in this film (as in the other Lee Dracula films I have seen), so there is a delightful irony to the fact that one of Dracula’s key foes here is a Catholic monsignor, and thus presumably celibate. Also, a religous controversy among Dracula’s foes makes for an enchanting disagreement to their battle against the undead villain. Overall, a well made and solidly spellbinding film.
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. They were packed into the box along with the DVDs. I’m not great into these types of extras, so other than a swiftly peep at the manga they didn’t bag examined.
