King of the Hill – The Complete Sixth Season Streaming

February 9th, 2010 by krish7011588
King of the Hill - The Complete Sixth Season Streaming. King of the Hill – The Complete Sixth Season Streaming.

Movie Title: King of the Hill – The Complete Sixth Season
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King of the Hill – The Complete Sixth Season is available for streaming or downloading.

Click Here to Stream or Download King of the Hill – The Complete Sixth Season

Season 6 of King of the Hill is one of the best season ever. However season 6 is when the show started to reach it’s peak. One of the reasons why the show peak is because of the fact that the season got moved back due to 9/11 as well as the fact that this season is when KOTH started syndication. But this season proved that this show has alot of potential. Here are the episodes.

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1.) Bobby Goes Nuts 11/11/2001

The episode opens innocently enough with Bobby’s girlfriend Connie inviting him over to add some spark to her dying slumber party. But after Bobby’s beaten up by a crasher, Hank urges him to enroll in a boxing class at the Y. That class is full, so Bobby enrolls in the next best thing: women’s self-defense. There, he quickly masters the technique of targeting an attacker below the belt (while yelling “That’s my purse!”). Armed with this training, Bobby makes sure that his next encounter with that crasher has a different outcome. And Hank couldn’t be more proud—until he learns the secret of Bobby’s success.

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2.) Soldier of Misfortune 12/9/2001

Dale is running for re-election as Gun Club president, but his chances seem to be shot when he accidentally discharges his gun. To give Dale his confidence back, Hank pretends to be “Mr. Big,” answers Dale’s ad in Soldier of Fortune magazine, and assigns Dale to pick up a briefcase. But Dale bungles the job, and nearly gets his friends killed by his opponent at the Gun Club.

3.) Lupe’s Revenge 12/12/2001

Peggy takes the school Spanish club on a field trip to Mexico. She mistakes a little Mexican girl, Lupe, for one of her students, and takes her back on the bus with her. When she realizes her mistake, she brings Lupe back to Mexico and is arrested for kidnapping. Meanwhile, Hank finds himself the object of a female cop’s affections.

4.) The Father, the Son and J.C. 12/16/2001

When Buck Strickland has to build a house for Habitat for Humanity as part of his community service, Hank does all the work. Buck is so pleased that he promotes Hank to manager, but when Hank tells Buck “I love you,” he is demoted back to assistant manager. Cotton becomes jealous that Hank likes Buck better, and Peggy, determined to celebrate Christmas by repairing Hank’s relationship with his father, tries to get Hank to tell his father that he loves him. But when the plan backfires, this Christmas problem can only be solved by a carpenter with the initials J.C.: Jimmy Carter.

5.) Father of the Bribe 1/6/2002

Kahn tries to bribe Bobby to break up with Connie. Connie and Bobby decide to pretend to break up so they can get the money. But when Connie’s behavior convinces Kahn and Minh that she is depressed without Bobby, they try to push her and Bobby together. And the more they’re together, the more they realize how little they have in common.

6.) I’m with Cupid 2/10/2002

Bobby adjusts to his breakup with Connie, until Bill’s depressing experiences break his spirit. So Hank sends him to ladies’ man Boomhauer.

7.) Torch Song Hillogy 2/17/2002

Peggy nominates Bobby to carry the Olympic torch through Arlen, but it’s Hank who wins the honor—and bungles it.

8.) Joust like a Woman 2/24/2002

Peggy stirs up rebellion among female workers at a Renaissance Faire where Hank is trying to land a big account.

9.) The Bluegrass is Always Greener 2/24/2002

Kahn wants Connie to practice classical music so she can become a great concert violinist, but Connie prefers playing bluegrass. Hank and the guys form a band with Connie, the “Dale Gribble Bluegrass Experience,” and go to Branson, Missouri to participate in a contest. But in his desire to win, Hank pushes Connie to practice and takes all the fun out of playing, just like Kahn did.

10.) The Substitute Spanish Prisoner 3/3/2002

Peggy takes an online I.Q. test sponsored by the “Intelligence Institute of Texas,” and is declared a genius. When the head of the Institute, Dr. Vayzosa, offers her a chance to get a PhD for only $900, she uses the family savings to pay for it. When Luanne takes the online I.Q. test and also scores as a genius, Peggy realizes that she has been conned, and she comes up with an elaborate sting to get the money back.

11.) Unfortunate Son 3/10/2002

When Cotton’s VFW has to close down due to a shortage of members, Hank tries to get Vietnam vets to join. But the WWII vets and the Vietnam vets hate each other, and when Hank tries to bring them together, he and Cotton wind up getting pursued by kill-crazy Vietnam veterans who are having flashbacks. Meanwhile, Dale gets a falcon that keeps attacking Bill.

12.) Are You There, God? It’s Me, Margaret Hill 3/17/2002

Unable to find a full-time teaching job, Peggy pretends to be a nun to land a position at a Catholic school, ending her budding career at Strickland Propane.

13.) Tankin’ it to the Streets 3/31/2002

After learning the Army used him as a guinea pig for an experimental drug, Bill gets drunk and steals a tank. And it’s up to his friends to try to return it.

14.) Of Mice and Little Green Men 4/7/2002

When Hank and Dale find more interest in the activities of the other’s son, Dale concludes he’s not Joseph’s father—and that an alien is.

15.) A Man Without a Country Club 4/14/2002

Kahn covets membership in an all-Asian country club, but it’s Hank who’s asked to join—as a token white to secure a PGA tournament.

16.) Beer and Loathing 4/14/2002

Peggy gets a job at Alamo Beer, but a clause in her contract prevents her from telling Hank why Texas is completely devoid of the brew for the next 36 hours. (Special Guest Star: Megan Mullally!)

17.) Fun with Jane and Jane 4/21/2002

Peggy encourages lonely Luanne to join a sorority, but the snobbish sorority girls won’t have anything to do with her. So Luanne joins Omega House, a sorority where everyone is accepted and everyone is named “Jane,” not realizing that it’s actually a cult that brainwashes lonely young women. Meanwhile, Buck Strickland tells Hank to kill his emus, but Hank and his friends can’t bear to do it.

18.) My Own Private Rodeo 4/28/2002

Dale and Nancy are renewing their marriage vows, and Nancy wants to invite Dale’s estranged father, Bug, a rodeo performer. Dale hates his father for making a pass at Nancy on their wedding day, but when Hank goes to see Bug, he discovers that the rodeo is a gay rodeo, and Dale’s dad is gay.

19.) Sug Night 5/5/2002

After Hank repairs a propane-powered hot tub for a bikini-clad Nancy Gribble, he starts to have dreams about him and Nancy grilling burgers in the nude. When Peggy finds out, she concludes that Hank is bored with her and that they need to spice up their marriage by going to a nude beach.

20.) Dang Ol’ Love 5/5/2002

Bill tries to get the attention of a beautiful jogger, but instead she goes home with Boomhauer. And for the first time in his life, Boomhauer finds himself in love.

21.) Returning Japanese (Part 1 of 2 Season Finale) 5/12/2002

The Hills head to Japan because Cotton wants to apologize for his actions in WWII. The grizzled vet says he plans to address the widow of a soldier he killed. Peggy arranges to cover the visit for the local paper, but the family arrives to find it has become an overblown media event. Cotton admits to Hank that the “widow” was never married, and the “action” did not occur in battle. Meanwhile, back home, Dale and Bill prove themselves dedicated house sitters by dressing up as Hank and Peggy; and Luanne finds a replacement dog when she thinks she has killed Ladybird.

22.) Returning Japanese (Part 2 of 2 Season Finale) 5/12/02

It is revealed that Hank has a long-lost half-brother, who disowns his American relatives. Angered by this, Cotton plans to spit in the face of the Japanese Emperor Akihito at a ceremony honoring WW2 veterans later that night. As the Hill Brothers try to stop their father, they come to realize how much they have in common. Meanwhile, Bobby develops a relationship with his dance partner at the local arcade.

Hope you enjoy it!

“King of the Hill,” quite simply, is one of the most intelligent shows on television. It doesn’t try to cram in slapstick comedy, or slip in jokes every 10 seconds, but it does a wonderful job of giving you character-centered plots that are extremely satisfying (and often hilarious) to watch. By about the third season of this series, the characters’ individual personalities had been developed to the fullest and from that point onward, the show simply took off. This season is the best yet. If you’ve never seen the show, this is a great season to start off with.
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Vicki Movie Streaming

February 9th, 2010 by krish7011588
Vicki Movie Streaming. Vicki Movie Streaming.

Movie Title: Vicki
Average customer review:

Vicki is available for streaming or downloading.

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“Vicki” is the second film adaptation of Steve Fisher’s novel “I Wake Up Screaming”. The first was an A-list film made 12 years earlier, released in 1942, that retained the novel’s title. 1942’s “I Wake Up Screaming” starred Victor Mature as Vicki’s publicity man Frankie Christopher and featured Betty Grable in her first non-musical role as Jil Lynn. 1953’s “Vicki” is a moderately budgeted affair without high-power stars. It is perhaps marginally film noir but bland overall. “Vicki” has a more extensive flashback structure than the 1942 film, which awkwardly overloads the first part of the film. That is not from the book, and Dwight Taylor is credited as screenwriter on both movies. “Vicki” seems to have been adapted from the earlier film rather than from Fisher’s novel.

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When famous model Vicki Lynn (Jean Peters) is found murdered in her New York apartment, gruff police detective Ed Cornell (Richard Boone) insists on taking the case. Miss Lynn left a string of admirers and sponsors high and dry when she decided to try her luck in Hollywood, so there is no shortage of suspects: Her jilted boyfriend, actor Robin Ray (Alex D’Arcy). Society columnist Larry Evans (Casey Adams), who made her the toast of the town. And publicity man Steve Christopher (Elliot Reid), who engineered Vicki’s rapid rise to the darling of café society. But detective Cornell decides that Christopher is the guilty party and obsessively harasses the man, even badgering Vicki’s sympathetic sister Jill (Jeanne Craine), who doubts Christopher’s guilt.

“Vicki” is not a bad film, but it suffers by comparison to its predecessor. It lacks the stars’ charisma of “I Wake Up Screaming” as well that film’s menacing tone and psychosexual subtext. The villain, Ed Cornell, is more pathetic in “Vicki” than in “I Wake Up Screaming”. Perhaps that is more realistic, but the character doesn’t inspire the fear that Laird Cregar’s chilling interpretation did in 1942. Still, Richard Boone’s performance is the best in the film. But this isn’t the ideal context for an aging, obsessed, pathetic loser cop. Cornell often refers to Christopher as “pretty boy”, which is puzzling given Elliot Reid’s hum-drum appearance. Christopher is a slick publicity man. He should at least be a sharp dresser. Elliot Reid’s performance is as benign as his wardrobe. Harry Horner was probably the wrong director for this material.

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Themes and characters are watered down in “Vicki”. But comparing the women in 1942’s “I Wake Up Screaming” and 1953’s “Vicki” gets interesting. In “I Wake Up Screaming”, Vicki is the older, worldly sister. She’s selfish and ambitious, but sharp. Jill is younger, wholesome, and more cautious. But she’s no shrinking violet. Both women know their own minds and neither is easily intimidated. In “Vicki”, Jill is the older, wiser, very maternal sister. Vicki is young, ambitious, impetuous, but also shallow and naive. “I Wake Up Screaming” reflects the feminine ideal of the 1940s: smart, utilitarian, and confident. Jill is a helper-heroine whom Christopher needs to regain control of his life. “Vicki” reflects the post-war ideal of women: Young and silly or older and maternal but, either way, frightened and driven by emotions. Jill is a love interest in “Vicki”, not a partner.

The DVD (20th Century Fox 2006): Bonus features include a theatrical trailer (2 min), Still Galleries, and an audio commentary by film noir historian and author Foster Hirsch. The 3 Stills Galleries are: Advertising (12 b&w images), Behind-the-Scenes (10 b&w photos), and a 16-page Interactive Pressbook. You can zoom in on pictures or articles to read them. In his audio commentary, Foster Hirsch discusses the actors, the contrast between flat lighting and low-key “noir” lighting (what little there is of it) in the film, and takes us through the story. Hirsch also critiques “Vicki” in comparison to 1942’s “I Wake Up Screaming”. He doesn’t hold “Vicki” in very high esteem, for some of the same and some different reasons that I don’t. Subtitles for the film are available in English and Spanish.

In a nutshell, this remake of “I Wake Up Screaming” doesn’t work whether you saw the original or this is your first time exposed to the story. The film is saddled with a blah cast and uninspired direction. The film’s lone redeeming point is Richard Boone’s account of dogged police detective Ed Cornell. Alas, that even suffers when compared to the masterful turn by Laird Cregar in “Screaming”. This is by no means a bad film just an ordinary one. If it popped up on TCM you probably wouldn’t be inclined to change the channel.
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Watch The Nightmare Before Christmas Movie Online

February 8th, 2010 by krish7011588
Watch The Nightmare Before Christmas Movie Online. Watch The Nightmare Before Christmas Movie Online.

Movie Title: The Nightmare Before Christmas
Average customer review:

The Nightmare Before Christmas is available for streaming or downloading.

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Note: This is a review of the 2008 DVD release

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What’s this? A new “Nightmare Before Christmas” DVD package? Actually there are three versions: this two-disc set that includes a downloadable digital copy, a Blu-ray version, and a collector’s edition that comes with a bust of Jack Skellington with a detachable Sandy Claus beard and hat.

Though this version is billed as a two-disc set, it actually has three discs. The third one contains the digital copy. An instruction sheet spells out in clear steps how to download the file to an iPod or similar device.

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The movie itself is a feast for the eyes, ears and imagination. A delectable witches’ brew of stop-motion animation, catchy show tunes and a seriously warped creative license, it always stays true to its timeless message: to be happy, be yourself. Devilishly nonconformist, it’s an enduring holiday musical for the whole Addams family.

Well, almost. Though all of its fright gags are played entirely for laughs, some of the imagery is downright creepy, especially for small children. Anyone older than say, 6, however, should enjoy every minute. Teenagers will love it.

The story — the citizens of Halloweentown attempt to annex neighboring Christmastown — comes from the macabre mind of producer Tim Burton, who wrote it in his spare time (as a poem!) while working as a Disney animator in the 1980s. The movie blends the tastiest bits of Burton’s earlier Beetlejuice and Edward Scissorhands with a sprinkling of the stop-motion magic first found in Disney’s 1961 Babes in Toyland.

The imaginative cast of characters includes:

* Pumpkin King Jack Skellington (Chris Sarandon), a mischievous misfit who believes his purpose in life is to merge the holidays of Halloween and Christmas.

* Jack’s faithful dog Zero, a ghost with a glowing, jack-o’-lantern nose who, like the hound in How the Grinch Stole Christmas, eventually pulls a sleigh

* Rag-doll heroine Sally (voiced by Catherine O’Hara), Jack’s love interest, who sews herself back together when she loses a body part

* Oogie Boogie (Broadway veteran Ken Page), a slimy, singing bag of bugs who channels the cartoon version of Cab Calloway in the old Betty Boop cartoons

* Lock (Paul “Pee-Wee Herman” Reubens), Shock (O’Hara) and Barrel (Danny Elfman, the film’s composer), a trio of evil trick-or-treaters who “kidnap the Sandy Claws”

* Wheelchair-bound evil scientist Dr. Finklestein (William Hickey), a duckbilled quack whose flip-top head lets him scratch his brains for inspiration

* A mayor (Glenn Shadix, the interior director Otho in Beetlejuice) who is literally two-faced.

Blessed with the ability to bring adult minds back to child’s level, Burton dwells in dark mischief. In fact, some of Nightmare’s best scenes include the kidnapping of Santa Claus and Jack’s hilarious attempt to replace him on Christmas Eve, when the skeleton gleefully delivers presents such as tree-devouring snakes and severed, shrunken heads.

Director Henry Selick painstakingly created the film over three years. Though he had a production crew of over 100, each minute of footage took a week, as each second required 24 ever-so-slightly different shots.

BONUS FEATURES

This 2-disc DVD package has a nice collection of extras:

* An audio commentary with Burton, Selick and Elfman.

* A downloadable digital copy of the film, which you can transfer to an iPod or similar device.

* Burton’s first short, 1982’s 6-minute “Vincent,” a black-and-white stop-action film about a boy who dreams of being Vincent Price, who narrates.

* Burton’s 1994 Disney live-action short “Frankenweenie.” This 30-minute black-and-white film re-imagines the Frankenstein story as the tale of a young boy and his car-struck pet dog in suburban America. A recently taped introduction by Burton shows some working sketches being used for his full-length version now in development.

* A reading of Burton’s original “Nightmare Before Christmas” poem by actor Christopher Lee

* A promotional film for the annual “Nightmare” makeover of Disneyland’s Haunted Mansion.

* Promotional and making-of featurettes, a storyboard to film comparison, deleted scenes and theatrical trailers and posters

If you think the best movies are the ones that show you a world you’ve never envisioned before, then you will LOVE Tim Burton’s “The Nightmare Before Christmas”. A benchmark in stop-motion animation, this incredibly difficult-to-make film (24 individually posed frames were needed to produce ONE SECONDS’s worth of action) is a masterpiece of art direction, set design, and good old-fashioned storytelling. The plot revolves around Jack, the Pumpkin King of Halloween, and his attempt to run Christmas in place of Santa Claus. “Sleigh” becomes confused with “slay”; “stockings” become “stalkings”; and spirits go from joyous to ghostly as the two holidays clash together like oil and water, or fire and ice. One of the great surprises of the movie is that although it dances around material that could easily careen into cynicism, it remains refreshingly sweet and light throughout. Which is not to say that some of the comedy isn’t a little dark and perhaps geared more towards older children and adults; for example, the brief scene in which a python puppet is shown swallowing a Christmas tree whole is hysterically funny, but not especially appropriate for the very young.

The special edition DVD is unquestionably the version of this classic to buy. Included are a wealth of extras: the teaser and theatrical trailers; a documentary on “The Making of …”; deleted scenes and storyboards, etc, etc. The best bonuses are two short films by Burton: “Vincent”, a poetic tribute to the magnificent Vincent Price, narrated by the subject himself; and “Frankenweenie”, a canine send-up of “Frankenstein”, starring Shelley Duvall, Daniel Stern, and a cast of talented character actors. This DVD is one that you can spend HOURS exploring happily! Highly recommended as both a Halloween and Christmas treat.
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Stream Pete’s Dragon Movie Online

February 8th, 2010 by krish7011588
Stream Pete's Dragon Movie Online. Stream Pete’s Dragon Movie Online.

Movie Title: Pete’s Dragon
Average customer review:

Pete’s Dragon is available for streaming or downloading.

Click Here to Stream or Download Pete’s Dragon

“Pete’s Dragon” (1977) has become a somewhat forgotten Disney movie that was originally inspired by the success of Mary Poppins (45th Anniversary Special Edition) as a live-action/animation musical. The story finally got the green-light in 1975; songs were by Al Kasha and Joel Hirschhorn, and an all-star cast was assembled: singer Helen Reddy in her first film role, Broadway’s Jim Dale, Shelley Winters, Red Buttons, Jim Backus, and Mickey Rooney. Sean Marshall, in his first acting job, portrayed the title character of Pete.

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Pete is a young orphan who has escaped the abusive family that adopted him: a dirty bunch of hillbillies known as The Gogans (Jeff Conaway, Kenickie from Grease (Rockin’ Rydell Edition) [Blu-ray] plays one of The Gogans). They adopted Pete to use him as a slave. Elliott, a large green dragon who can become invisible at will, helps Pete escape, and acts as his friend and protector. Pete ends up in the small village of Passamaquoddy, where he is taken in by kindly Nora (Reddy) and her father Lampie (Rooney). The two own the lighthouse in town, where Nora waits for her boyfriend Paul to return, even though he was lost at sea years before. The Gogans find Pete and attempt to steal him back, with the aid of Doc Terminus (Dale), a medicine showman, and his shill, Hoagy (Buttons). Although fairly predictable, it is a heartwarming story with an excellent cast and music that is light and breezy. Definitely good fare for the young!

Nominated for Best Original Score and Best Original Song (”Candle in the Water”), pleasantly sung by Reddy.

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When watching today, the animation looks a little antiquated, as digital animation and the ability to combine live-action with cartoons has obviously improved since 1977. Still, with the limitations of the day, what the Disney team was able to create is still quite impressive. The entire town of Passamaquoddy was built on the Disney backlot, with a functioning lighthouse built above Morro Bay, California. The US Coast Guard had to give permission to Disney to actually light it so as not to confuse real ships in the water. Disney’s Golden Oak Ranch in Santa Clarita was also used for a number of outdoor shots.

SPECS:

Dolby Digital 5.1 Surround Sound * Widescreen (1.66:1)–Enhanced for 16×9 TVs. This was the first Disney film recorded in the Dolby Stereo sound system. The clarity and color of the image of the DVD are excellent; sound is good too, but nothing that will really blow your speakers away. Running time of approximately 129 minutes, which is just about 5 minutes short of the original roadshow version.

BONUS FEATURES:

Sneak Peeks: Snow White on Blu-ray, The Prince & The Frog (theatrical), Disney Blu-ray, Hannah Montana the Movie, Up, D23, Earth, and Tinkerbell: The Lost Treasure.

Brazzle Dazzle Effects (25:23): Narrated by Sean Marshall (Pete) who is heard present day, but never seen! Sean takes us on a journey telling the history of live-action/animation in Disney films, beginning the Alice Comedies. Virginia Davis (Alice) recalls pantomiming to invisible animals. “Children love to pretend. I loved to pretend, too.” Disney thought that by putting a live girl in an animated setting he could get a leg-up on the competition. Ub Iwerks joined the Disney team early, left, and then returned in the 1940’s. Many of the special effect processes that have made Disney film magic possible were a result of his genius. “The Three Caballeros” was a milestone in 1945 in combining color live-action film with animation. Using rear-screen projection and special process-lab effects, Iwerks helped the film accomplish many things never seen before. The real jump came in 1959 with “Ten Who Dared,” a film that used the Sodium Vapor Process Screen. Using yellow lights/filters, filmmakers were able to block out backgrounds that made it easier to combine the animation. Without this process, “The Parent Trap” and “Mary Poppins” would never have been possible. Marshall recalls filming “Pete’s Dragon” in the summer of 1976. He loved the entire process: special effects, acting, dancing, makeup. “The only thing I didn’t like was the fame!” He recalls Red Buttons and Mickey Rooney attempting to upstage each other, and how choreographer Onna White’s instruction helped prepare him to be a college pole-vaulter. In this featurette, you will see the original live-action film and learn how it was combined with the animation. Very interesting to watch documentary.

Deleted Storyboard Sequence: “Terminus & Hoagy Hunt Elliott” (2:25)–Nothing really missed here!

Original Song Concept: “Boo Bop BopBop Bop (I Love You Too)” (2:35): Very pop-sounding; almost a little out of place. Not missed from the storyline, it featured both Pete & Elliott.

Original Demo Recordings (all from February 11, 1976):

Brazzle Dazzle Day: Alternate song, first attempt. The song was liked by re-written.

Every Little Piece: Alternate melody. Thought to be too somber, the lyrics were kept, but the melody was rewritten.

The Greatest Star of All: Deleted song for a deleted character. Artist Ken Anderson thought 2 villains were not needed, so both song and character were cut.

Promotional Record:

Pop versions of songs from the movie released on a 7″ Vista record are presented here: It’s Not Easy, Brazzle Dazzle Day, There’s Room For Everyone, Candle on the Water.

Art Galleries: Concept Art, Behind-the-scenes, and publicity galleries. Varying quality, but still very cool to see, especially the behind-the-scenes shots.

Trailers: International & Theatrical Trailers

“About Pete’s Dragon”: 5 screens with production notes about the movie.

“Disney Family Album” (excerpt, 2:20): About artist Ken Anderson. He describes how he based Elliott on Wallace Beery – large, bumbling, but loveable. He also is seen at the Disney ranch, which he describes as his Laughing Place.

“The Plausible Impossible” (excerpt, 3:36): From the Disneyland TV show, October 31, 1956. Shows the Disney Art of Animation book, with chapter 5 about the Plausible Impossible–using animation to make the unreal look real. Clips from Fantasia shown.

“Lighthouse Keeping” (1956, 6:45): Donald Duck cartoon

Includes a game for the very young, where you must find Elliott.

Overall, a really great DVD with enjoyable extras.

“I was the number one star of Hollywood back in 1940…and I worked alongside someone who would become a close friend and a great star. Her name was Frances Gumm. You know her as…Judy Garland.”

Surely during the production of PETE’S DRAGON, the great Mickey Rooney shared these facts with young Sean Marshall, who — as an offscreen adult — narrates a new documentary about the 1977 Disney musical fantasy on the new “High-Flying Edition.”

The new doc makes it easier to understand that sodium screen process so often used in Disney films of the period — a kind of yellow light behind the subject that somehow vanishes and allows two images to be combined. Maybe that yellow sheen is the reason that you could always spot a seam along the two separate images — a problem solved by today’s digital technology.

When PETE’S DRAGON premiered in 1977, I was extremely excited that a MARY POPPINS/BEDKNOBS AND BROOMSTICKS-type Disney movie was arriving. I listened to the various records over and over. I even was fortunate enough to see Wally Boag himself appearing at the Lakes Mall in Lauderdale Lakes, Florida, in which the “Every Little Piece” sequence was recreated with an Elliott puppet that popped out of the box.

I loved the movie, though probably not as much as MP or B&B. It’s very much like the other frothy Disney comedies of the period, only an hour longer and with songs. I would have preferred something with just a tad more gravity, though not as dark as today’s movie fantasies.

That said, it’s still very entertaining and captures a period when the Disney studio had a backlot and you could smile at the sight of familiar faces like Jane Kean and Jim Backus. The score deserves better appreciation that it has received in recent years.

The idea of an animated Elliott cavorting with humans was not miraculous even in 1977, since Tony the Tiger and friends did it frequently on TV). It of course reached the next level with ROGER RABBIT. Thanks to outstanding animation, Elliott’s soars beyond a mere gimmick.

A couple of trivia gems: the screenwriter, Malcolm Marmorstein, was one of the writers for TV’s DARK SHADOWS and, if you’re a fan of the TV classic THE PRISONER, many of its episodes were directed by PETE’S DRAGON director Don Chaffey.

The new DVD, while not including an audio commentary, does improve on the previous edition in a major way — at least to a Disney music buff like me. There are a selection of demo recordings and a handful of Kids of the Kingdom-style “pop versions” of the songs I had not heard before. “Brazzle Dazzle Day” had a different melody with mostly different lyrics. “Every Little Piece” had the same lyrics with an “If I Were a Rich Man”-like melody. “It’s Not Easy” had alternate lyrics that transformed it into a romantic love song. And there’s even a deleted song called “The Greatest Star of All,” clearly intended for Jim Dale’s character, Terminus. These alone make the new DVD worth getting.

The extras from the previous edition are all still there except the 25-minute 1973 live-action/animated documentary MAN, MONSTERS & MYSTERIES, narrated by Sebastian Cabot with Sterling Holloway voicing the Loch Ness Monster (aka “Nessie”).

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Trigun Remix, Vol. 5 Movie Streaming

February 7th, 2010 by krish7011588
Trigun Remix, Vol. 5 Movie Streaming. Trigun Remix, Vol. 5 Movie Streaming.

Movie Title: Trigun Remix, Vol. 5
Average customer review:

Trigun Remix, Vol. 5 is available for streaming or downloading.

Click Here to Stream or Download Trigun Remix, Vol. 5

A new way to watch the animated series of Vash the Stampade wandering a desert planet as trouble comes after. Encountering the helpless, the cruel, the inhumane, the moral, the kind-hearted, the protective, and the insanely sadistic people of this western style world.

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A set with fewer DVD’s, and more episodes on Each disks. And really nice box covers.

There’s some differences between the REMIX DVD’s and the old Pioneer/GeneonSignature Series DVD’s.

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For those wondering, here’s the episode containment for both versions:

[*with the volumes I own]

—

Orignal Pioneer/Geneon Signature Series of Trigun-

Volume 1: # 1-4*

Volume 2: # 5-7*

Volume 3: # 8-10*

Volume 4: # 11-13

Volume 5: # 14- 17

Volume 6: # 18-20

Volume 7: # 21-22

Volume 8: # 23-26*

—

REMIX Version of Trigun-

Volume 1: #1-5

Volume 2: #6-10

Volume 3: #11-14*

Volume 4: #15- 18*

Volume 5: #19-22*

Volume 6: #23-26

—

One big difference is the Sound. Here’s the sound choices:

- English Dobly Digital 5.1

- Japanese Dobly Digital 5.1

-Japanese Dobly Digital 2.0

Similar sound options as some the other Geneon titles, with translation subtitles (of course).

But the Digital 5.1 is quite an experience if you have stereo on your TV/DVD player or two speakers on your computer. One scene, (for example on Remix Volume #5) in episode “OUT OF TIME,” while he is on the flying ship, Vash has a conversation with Leonoff the Puppermastet though one of his puppets. As the PuppetMasterspeak through the tunnel-like walkway in the ship, his voice echos back and forth from the right and left speakers until he stops speaking during this scene.

At some moments, the voice actors are louder than the music (but you’ll hear the music).

Another BIG difference is the OPENINGS.

Around 5-10 seconds of each opening is slightly different, showing a few short clips of the episode.

The Pioneer version of the Trigun DVD’s used the opening from the first episode the entire series.

The openings on the Remix version are unedited in the original Japanese with removal sub-text.

The extras on the Remix DVD’s are similar to the extras on the original Pioneer/Geneon Sig. Series DVD’s. (EXCPET maybe the TV Spots…not sure though)

Volume 5 (REMIX) has character designs for the Gung-HoGuns/villains, Vash and Knives, and TV spots.

Minor problem(though not too important):

As for menus of the Remix DVD’s I thought them to be weak and boring compared to the old menus. The menu set-up for the remix DVD is the same for the other Remix DVD’s.

A couple of the wanted posters, pick an option and the camera turns to a few other posters. There’s no pictures of the episodes in scene selection.

Where in the original DVD’s the menus were vivid, creative, and unique (musically and visuals).

The video is more important though.

The covers for the REMIX DVD’s are unique and REVERSIBLE (in color)!

Each back cover has two covers of the DVD covers of Trigun sold in Japan. (There were 13 in Japan, so one volume won’t be on a back cover).

The box is clear, but I sometimes find it hard to remove the DVD.

If you were a fan who didn’t buy the series yet, I would recommend the REMIX version.

If you already had the complete series (original Pioneer version), it may be cheaper to keep your old collection. But some people may want the great sound quality, etc from the REMIX DVD’s.

Some viewers might want the limited edition with rare extras.

I’m glad to have this volume along with the other DVD’s to complete my Trigun Series collection.

(Sorry this review was a little long).
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Happy Feet Movie Streaming

February 7th, 2010 by krish7011588
Happy Feet Movie Streaming. Happy Feet Movie Streaming.

Movie Title: Happy Feet
Average customer review:

Happy Feet is available for streaming or downloading.

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First of all, this is simply a great movie. The narrative is brought to life with humor, action, important life lessons, and conservational commentary. The voice actors all give 5-star performances and the animation is incredible.

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But, this being the Blu-ray disc, I’m going to focus on the picture and sound.

The animation by itself is simply breath-taking; easily one of, if not the best looking CGI feature to date. But in HD, it’s brought to life even further. Every feather on the penguins is apparent, every flake of snow falling through the air and I’d almost go so far as to say every molecule of water! This is the best looking animated feature you can get on Blu-ray now. It’s definitely the show-off piece when people ask “How much better does HD look?”. The leopard seal was particularly mind-blowing to me.

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Another hook is the sound. While I wouldn’t say this is the best sounding movie on Blu-ray, it definitely puts sound to good use and ranks pretty high. All five channels are used when appropriate, but Happy Feet does not utilize them as much as other films. Still, crank up the sound and the action scenes will blow you away.

All in all, this is an excellent movie made even better on Blu-ray. At this time, this is the Blu-ray disc to own for giving people lessons about HD.

Okay, seriously why are people consistently saying they’re surprised Happy Feet is not for very young kids when the movie is clearly rated “PG”?? Don’t blame the movie for some of the sexy songs (which I thought were very funny and well done) when they warned you upfront with a big “PG” label. Take some responsibility and do a little research before not hiring a babysitter for the night. :-)

I didn’t find the environmental message to be over the top either but the movie is definitely two parts– part 1 being about learning tolerance and cute penguins and part 2 about taking care of your environment and semi-stupid humans.

But overall they did blend the two parts well and I laughed out loud so many times I had to buy this movie as soon as it came out.
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The Cramps – Live at Napa State Mental Hospital Streaming

February 6th, 2010 by krish7011588
The Cramps - Live at Napa State Mental Hospital Streaming. The Cramps – Live at Napa State Mental Hospital Streaming.

Movie Title: The Cramps – Live at Napa State Mental Hospital
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The Cramps – Live at Napa State Mental Hospital is available for streaming or downloading.

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I have to say the quality of the audio and video is really pretty decent for a 1978 recording. I was pleasantly surprised. With that said, this DVD is a lot of fun. The Cramps just fit in with this unique environment, a psychiatric hospital. I agree with another reviewer; I spent many years working in a psychiatric hospital and wonder how this concert was ever permitted. Overlooking the fact that the Cramps were allowed to play at a psychiatric hospital, how was it ever allowed to be recorded then distributed?

This DVD isn’t for everyone. You must appreciate The Cramps and their humor. You must not be politically correct. I laugh with and at the patients in this DVD. The whole thing is just hard to believe. Never, in today’s world, would this be allowed to happen.

It’s unique. It’s funny. Drink some beer and enjoy the show.

If all DVDs are Mount Everest, this one’s at the tippy top.

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It works on so many levels. At one level it’s a little

scary because you find yourself reacting to ths music just like the “inmates” and feel like you are one of them. On another level it’s incredibly satisfying to see The Cramps performing this extremely good deed, really reaching these troubled souls. During chaotic moments, it’s amazing how well The Cramps handle

the situation, not trying to put controls on the audience,

even when the lead singer has to struggle, several times,

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to regain control of the microphone, he does it with incredible

grace & power; and even those uninvited vocals seem to

blend perfectly well with the overall ecstatic madness.

AND, after all this, The Cramps’ performance itself is fantastic,

and the production values (given the nature of the event) are

surprisingly good. Extra added attraction: the video also features some other entertaining punk/performance art pieces, most

of which are extremely creative…but The Cramps’ show is the

real story here…I’d have to list this as the best DVD I own.
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A Dirty Shame Movie Streaming

February 6th, 2010 by krish7011588
A Dirty Shame Movie Streaming. A Dirty Shame Movie Streaming.

Movie Title: A Dirty Shame
Average customer review:

A Dirty Shame is available for streaming or downloading.

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Many have accused John Waters of kissing up to the mainstream for the past decade or so, starting with “Cry Baby” and “Hairspray,” with their less than shocking view of the world. Where, they cried, is the delightfully perverse brain that gave us “Pink Flamingos?”

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Be careful what you wish for, because “A Dirty Shame” will bring it all back home. Perfectly cast, brilliantly acted and a total grossfest, this is the best and most outragous movie Waters has done since, well, “Female Trouble.” Tracy Ullman and Chris Isaak play the Sticklers, a pair of “neuters” who are completely against all things sexual. A chance accident makes Ullman a sex-addict to the church of Johnny Knoxville (who finally proves himself a movie star here) and his merry band of perverts. If there’s a fetish that can be exploited or made disgusting, you’ll see it here.

There are so many laugh out loud sexploits here, that I can’t even begin to describe them. You’ll be wincing as you laugh, as the moments accelerate in the movie from funny — to weirder and funny — to beyond the bizarre. You’ll hear Tracy Ullman describe oral behavior in so many ways that you’ll lose track. You’ll discover what a “bear” is. You’ll see Chris Isaak leer so salaciously that you’ll wonder what directions were being given behind the camera. And you’ll hear so many hysterical 50’s and 60’s sexually oriented novelty songs that you’ll be looking for the soundtrack by the end of the week.

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A word of warning though. If you are in the least bit prudish, then “A Dirty Shame” will have you fleeing the movie in mortal terror. Now if THAT sounds like the kind of NC-17 rated 90 minutes of comedy that would delight you, then you need a little “Shame” in your life.

Being an extra on this hysterical film was a true barrel of monkeys. Receiving direction from one of the most notorious cult directors of all-time was quite an experience. A Dirty Shame is yet another twisted Waters’ installment from his brilliant and unbelievably retarded mind. Sex addicts run rampant in Hamilton,

a NE Baltimore neighborhood and Johnny Knoxville is the ringleader. This film addresses such sexual fetishes never before spoke of in any previous film. Of course John’s most recent films lack the angst of his 70’s films, but the fact is

that was nearly 30 years ago and him and his entourage are way past the age of youth rebellion. This is clearly the most outrageous film Mr. Waters’ has made since Desperate Living in 1977. Anyone who has been wise to his 70’s films will absolutely

enjoy this picture. Folks who are ignorant to Waters’ pictures

or those who have never seen one should not see this film without first viewing at least Pink Flamingos(1972) or Female Trouble(1974). A Waters’ film you view because OF HIS name. NOT the stars. He is the puppeteer, and they are his marionettes. His recent tango with mainstream cinema and theatre is all well and good but this film proves once again what John Waters’ is and will always be.

A Renegade…

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Watch Sliding Doors Movie Online

February 6th, 2010 by krish7011588
Watch Sliding Doors Movie Online. Watch Sliding Doors Movie Online.

Movie Title: Sliding Doors
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Sliding Doors is available for streaming or downloading.

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I actually passed on seeing “Sliding Doors” several years ago because of a review I read by Roger Ebert. I knew about the basic premise of the film, which is that a character played by Gwyneth Paltrow gets on a subway train and does not get on a subway train. The film goes back and forth between the two plotlines, basically playing out both sides of Robert Frost’s two paths diverging in the woods. Ebert’s complaint was that taken independently neither of the plotlines was worth watching, which was enough to convince me to see something else.

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Well, now I have seen “Sliding Doors” and while I agree with Ebert’s critique, I want to argue that what is interesting about this film is not the two plotlines but the way they interact. Think of it as two wrongs making a right or the total effect being greater than the sum of the two parts or whatever makes sense to you. Writer-director Peter Howitt makes “Sliding Doors” into more than just a gimmick film. It is not in the class of “Groundhog Day” or “Memento,” but it is certainly on a level with “50 First Dates.”

Paltrow plays Helen Quilley. One morning she goes off to work, leaving behind her lover, Gerry (John Lynch). As soon as she gets to work she is sacked. On the way home she both catches and misses the subway in a sequences that is rather clumsily staged, but you get the idea. The Helen on the subway gets home in time to catch Gerry in bed with his supposedly ex-lover, Lydia (Jeanne Tripplehorn). The Helen who misses the subway gets hurt when her purse is stolen and gets home after Lydia has left and therefore knows nothing about the affair.

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Because of the near mugging Howitt is able to have one Helen look different from the other because of a bandage on her head after the hospital visit. By the time that heals the other Helen, trying to put Gerry behind her, has shortened her hair and bleached in blonde. The other key distinction is that while one Helen is still with Gerry, working two jobs in order to support him while he (does not) write a novel (and does continue to see Lydia), the other is seeing James (John Hannah), a nice man she met on the subway home and who believes the Monty Python line “Nobody expects the Spanish Inquisition” helps to put life in perspective (which is certainly true).

It seems fairly obvious that both Helens should be with James and leave Gerry far behind, but it seems clear that Howitt is going to work the irony angles as much as possible in this film. It is not so much that these are parallel stories as their are recurring elements of symmetry and at some point I decided that what was going to happen here was that Howitt was going to be able to have his cake and eat it two. This indeed turns out to be the case, but telling you that does not give away the end game.

Paltrow is fine in the main role, although why the two main female characters had to be played by American actresses is beyond me. Tripplehorn’s character is in the “Fatal Attraction” mold, which makes Gerry’s inability to choose between Helen and Lydia rather laughable, a fact repeatedly pointed out to him by his friend, Russell (Douglas McFerran) at the bar. Russell has the best lines in the film, calling Gerry “a morality-free zone” and pointing out that his advice will be unappreciated since it is based in reality. Lynch manages to play Gerry so that there is some hope of redemption and we remain open to the idea that things could work out between him and Helen, while we wait for Helen to catch up with our feelings for Hannah’s character, who is likeable in a rather surprisingly unpretentious way for such a gabby guy.

This is not a brilliant and creative film, but Howitt constructs what I think is a smart story line bouncing back and forth between the lives of the two Helens. There is no profound point to be made in the end beyond the ancient idea that when it comes to the lives of human beings and their attempts to find love in the world the gods tend to look down and laugh. But in a world where so many films are exercises in stupidity and I find myself thinking that what ended up on screen was a first draft that needed some serious work, “Sliding Doors” has all the pieces fit. The other film I have seen by Howitt, “Antitrust,” was also smartly crafted, although in that one somebody else wrote the script. Still, that is not a bad pair of films for viewers who like to have their brains engaged.

What can say ? I’ve seen this extremely funny and intelligently romantic movie about a dozen times after seeing it in the theater (and that’s for lack of time) and I’m still not bored with it. I’ve shown it to people of all ages and both sexes and they all loved it. The “What if she had caught the rain?” becoming reality principle is not plausible of course but the rest of the movie is extremelly realistic.

Gwyneth is absolutely perfect, John Hannah delivers more one-liners than you could think of and yet never sounds contrived, his total lovability and his accent turn him into this so obvious babe. Jeanne Tripplehorn is cast in this very unrewarding role, yet -in one very memorable monologue especially- she manages to give it more than one “evil” dimension. In fact, all supporting roles are extremelly well-crafted and allow the movie never to see its pace slow down.

I should add that the first time I saw it I was wondering how the story would fall back on its feet in the end and I was so pleased to see how they had dealt with it. Thumbs up ! and thank you for this little gem.
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Streaming Justice: What s The Right Thing to Do Online

February 6th, 2010 by krish7011588
Streaming Justice: What s The Right Thing to Do Online. Streaming Justice: What s The Right Thing to Do Online.

Movie Title: Justice: What s The Right Thing to Do
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Justice: What s The Right Thing to Do is available for streaming or downloading.

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Two immediate impressions from this 12-hour/part PBS series: (1) Harvard students receive superior instruction; and (2) the students, who signed agreements to be televised, were extraordinary. In some sense, their participation almost makes this a “reality TV series.”

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Philosophy Professor Michael Sandel uses the Socratic Method and Direct Instruction. He explores moral topics by asking students questions, drilling down and introducing additional information along the way. Students gave genuine, thoughtful responses. To capture this entire teaching unit on camera, using many cameras for multiple angles, was brilliant. Of course, one must adjust their expectations of student engagement by the presence of the cameras.

The teaching methods used are probably not ideal for many subjects, but for philosophy they were dynamic in the extreme. Surely Sandel has set the bar high for philosophy professors. This can only be good.

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The moral questions he poses are not so simple and easy as one might expect. One tends to change their mind as Sandel brings in more facts. All the questions posed and respective responses elicited are traced to philosophical schools of thought and directly to famous dead philosophers most of us would recognize. In this way, the history of philosophical thought is brought to life. This is a fun way to learn and this DVD set may be watched again and again.

We learn how much we share values and moral principles with the body of philosophical knowledge accumulated throughout human history. Sandel points out the origin of philosophical thought processes along this lecture journey. This feels like a painless way to learn philosophy, and it makes it much easier to remember the contributions of the great and famous philosophers (to cite some of them: Socrates, Plato, Aristotle, Descartes, Hobbes, Locke, Hume, Rousseau, Kant, Hegel, Marx, Kiereguaard, Mill, Nietzsche, James, Russell, Wittgenstein and Rawls).

Sandel contrasts ancient theories of justice, concerned with virtue, with modern theories concerned with freedom. During this lecture series he demonstrates that we share beliefs about virtue. Further, he explains we mistakenly don’t apply our convictions about virtue to economics and politics. He wants moral reflection to be a public endeavor and philosophers to advocate for the citizenry as Socrates did.

The implications of Sandel’s teachings are far-reaching, immediate and tangible. There are applications in contract law. For example, our society holds sacrosanct the “legal contract” but in so many cases one side was not truly free. In many instances, one party to a contract holds power and can impose a one-sided contract. Another application has to do with CEO compensation. Sandel shows how CEO compensation is determined by power, not contribution. He discusses the extreme concentration of wealth in the U.S. Sandel wants philosophy to be used on economics and he asserts that the growing inequality in the U.S. undermines the solidarity that a democracy requires.

Finally, Sandel makes us aware of the hollowing out of the “public realm” on which a democratic society depends. As public services decline and our common spaces for all but wealthy Americans deteriorate, we undermine our shared democratic citizenship.

Common spaces accessible by our democracy include public transportation, parks, schools, hospitals and health clinics, libraries, the news media and more. Much of public life has become overly market-based and that is the main reason we lack pedestrian-friendly areas.

To be sure, Professor Sandel is just getting started with this 12-hour DVD series. One gets the impression he is now launching a more public career and will weigh in on many political and economic issues. I would not be surprised if he becomes vilified in the media for taking positions against the interests of the power elite.

I saw the series mentioned on the Charlie Rose Show and was instantly arguing with the examples. I ordered the series, fired it up, and was battling with Michael Sandel in almost every example.

That level of challenge in a PBS series is rare lately. In the 80s and early 90s PBS carried complex, challenging, programs that are no longer made today.

An interesting note, watching the series I was instantly aware of how the TV series LOST echoes the themes, conflicts, and historical characters discussed in Justice. I suspect that someone on the LOST writers team took this course.

Well done.
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