Compare Prices on Flashpoint – The First Season
“Let’s preserve the peace,” is the catch-phrase uttered by team leaders as the Strategic Response Unit gears up for a hot call. It’s hardly as adrenaline-inducing as “Let’s roll,” or “Lock and load,” but I don’t contemplate it’s supposed to be; in fact it sets the tone for the series. This cop drama is about saving lives and trying to bring sanity and compassion to out-of-control situations, not racking up a body count in the name of peace and justice.
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Flashpoint is an undiscovered gem, hidden away leisurely a overused genre. If the phrases “SWAT team,” “hostage negotiators,” “Canadian television,” and “police drama” don’t exactly grab your interest, please do yourself the favor of at least reading this review and perhaps watching a couple of episodes. You might be cheerful you did.
The premise on its occupy is not terribly new: A fictional SWAT/hostage negotiation team takes on kidnappings, suicide attempts, bank robberies, and the like. What IS current is the come. The writing of this prove is steeped in the humanity, compassion, and psychological realism markedly absent from fresh TV.
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The team members are deeply decent human beings who like their jobs and their team-mates, but Flashpoint does a profitable job illustrating the real-life issues such as PTSD, stress, and guilt that near with such work.
Markedly absent is the fictional conceit that events don’t have consequences. When team leader and sniper Ed Lane shoots a hostage-taker in the series premier, not only do they exhibit his emotional reaction immediately after the shooting, they follow him through suspension, investigation, and debriefing by a psychologist. The consequences of the shooting continue to appear through the series; Ed experiences flashbacks, is sued, and in season two the hostage-taker’s son even tries to raze him.
Flashpoint does not discontinuance at portraying the team in a compassionate and realistic light; the subjects of their calls are rarely black-and-white “unpleasant guys.” Psychologically terrorized individuals are portrayed as layered individuals with reasons for their behavior. Sometimes these reasons are morally justifiable, sometimes not. Sometimes we sympathize with them, sometimes we want them unimaginative sooner rather than later – but we are almost always given insight as to how and why they reached their “Flashpoint.”
Anyone who has experienced traumatic events or PTSD in their have life or helped friends and family cope with traumas should inspect this reveal. It is deeply validating and provides expedient models of how to cope and how not to, as well as being sensitively and realistically written.
Flashpoint is a cop indicate with actual people and ethical, caring human beings in difficult situations. As one friend of mine place it, “It’s the anti-24.” If you’re tired of television where the writers can’t contemplate of any better diagram to construct drama than to situation up a crisis and then torture their intention out of it, try Flashpoint.
This is the (ironically, Canadian-produced) television reveal that jaded, wounded America needs accurate now.
Flashpoint is such a pleasure to gawk. Incandescent writing!!! Agreeable acting!!! Accurate humanity!!! You advance away with a respect for this law enforcement team that remembers that it is created to protect and abet. Many episodes have seamlessly transferred the goal of the team from being there to end the sniper to rescuing him/her. The thought of getting as worthy background information on the space so that it can be handled properly is such a no brainer. Is this really how the SWAT teams operate in Canada? Any chance that they could retrain some of our police teams here in the states? What a amazing reveal.
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